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Budgeting

CIMA Free Mock Exam

1 Introduction

Budgeting is core to management accounting. A budget is a plan, expressed in financial terms, and it is the instrument through which an organisation plans, communicates, coordinates, motivates and controls.

This chapter is the whole of syllabus section P1B, Budgeting and budgetary control. You need to be able to explain why organisations budget, to prepare the individual budgets and see how they fit together into a master budget, to discuss the alternative approaches available and their suitability to a given situation, and to discuss budgetary control and its effect on the people who work under it. Calculations of key budget figures are expected.

It links directly to three other chapters: chapter 12 supplies the forecasting techniques the budget is built on, chapter 9 takes the flexed budget of section 5 and analyses the differences into variances, and chapter 13 supplies the risk techniques behind the what-if and stress-testing work in section 8.

2 The rationales for budgeting

Thirty minutes on the objectives of budgeting and a complete walk through Example 2, and every figure in it agrees with the answer below: sales of $200,000, $520,000 and $450,000 giving $1,170,000; production of 2,100, 4,200 and 3,100 units; purchases of 26,300 kg at $8 and 14,700 litres at $4; and 58,400 labour hours at $3. One thing applies to all three of this chapter's recordings and is worth saying once. The chapter has been restructured for this edition, so the section numbers you hear on tape are those of an earlier edition of these notes. Follow the material rather than the numbering — the contents above will find the section being described.

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Organisations do not budget for one reason, and the reasons are not always compatible with each other — a budget set as a stretching motivational target is not the same budget as a realistic planning forecast. The syllabus names five rationales; two more are commonly added.

Rationale

What the budget does

Planning

Forces management to look forward and commit to a course of action, rather than react. “Budget” means plan: how much wood must be bought, how many staff recruited, how much cash will be needed.

Communication

Tells managers and staff what the organisation is trying to achieve. A drive for quality, for growth or for cost reduction shows up in the numbers people are given.

Coordination

Makes the parts of the organisation consistent with each other. There is no point in production budgeting 100,000 units if sales can sell 80,000.

Motivation

Gives each manager a target to work towards, often with a reward attached to meeting it.

Control

Gives something to compare actual results against, so that overspending can be identified and acted on. This is the link to chapter 9.

Authorisation and delegation

Once approved, the budget authorises the manager to spend up to it without going back for permission — and makes them responsible for doing so.

Evaluation of performance

Provides the yardstick against which a manager’s performance is later judged.

These purposes pull against one another, and that tension is examinable. A budget used to EVALUATE a manager will be one the manager wants set low; a budget used to PLAN needs to be the best available estimate; a budget used to MOTIVATE should be slightly harder than expected performance. One set of numbers cannot be all three at once, which is why the human dimensions in section 6 matter as much as the arithmetic.

Consider budgets you may have experienced in your workplace or elsewhere.

  1. How successful were they at fulfilling the objectives above?

  2. Suggest how a budget might be used as a motivational tool.

  3. To what extent does a budget enable the communication of business objectives and future plans to others in the organisation?

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This is a discussion question and your own experience is the material for part (a). If a budget you have met was poor at one of the objectives, ask yourself why, and how the reaction of the people involved might have differed had the process been run another way.

(b) As a motivational tool. The budget gives a manager a target and something to take pride in beating. Motivation is strongest where the target is CHALLENGING BUT ACHIEVABLE: a target the manager knows from the outset is impossible destroys motivation entirely, because there is nothing to be gained by trying. Motivation can be strengthened by involving the manager in setting the target (section 6.1) and by attaching a reward to it — but rewards must be designed so that beating the target is good for the organisation as well as for the manager, or you get the dysfunctional behaviour in section 6.3.

(c) As communication. The budget translates the strategy of senior management into specific, quantified objectives for each part of the organisation, and passing those objectives down is itself the act of communication. If this year’s aim is better quality, the budget will show more inspection staff and a lower wastage allowance, and the people receiving those numbers learn what the organisation is trying to do. The communication has to be consistent with the other messages the organisation is sending, or the budget will be disbelieved.

3 The principal budget factor

Principal budget factor

The principal budget factor (or key budget factor, or limiting factor) is the factor that limits the level of activity in the budget period. It is budgeted FIRST, and every other budget follows from it.

Normally the principal budget factor is the level of sales demand, so the sales budget is prepared first and leads to all the others. But it could be something else — a limit on the availability of a raw material, of skilled labour, or of machine capacity. If only enough material can be bought to make 10,000 units, the fact that customers would buy 50,000 is irrelevant, and the material budget is prepared first.

Identifying the principal budget factor is therefore the first step in budget preparation. Where a scarce resource has to be allocated between competing products rather than simply budgeted, the technique is limiting factor analysis in chapter 5.

4 Preparing the budget: functional budgets and the master budget

4.1 The budget cascade

Budgets are not prepared in one step. Each part of the organisation prepares its own plan — a functional budget — and each depends on the one before it. You cannot budget how much material to buy until you know how much to produce, and you cannot budget production until you know what can be sold.

Sales budgetProduction budget (units)Materials usageand purchasesLabour budgetProductionoverhead budgetCost of sales budgetBudgeted statement of profit or lossCapital expenditurebudgetCash budgetBudgeted statement of financial positionFunctional budgets above; the three shaded boxes are the MASTER BUDGET.This order assumes SALES is the principal budget factor. If something else limitsactivity, that budget is prepared first and the rest follow from it.

4.2 The master budget and its components

Master budget

The master budget is the summary of all the functional budgets: the budgeted statement of profit or loss, the budgeted statement of financial position and the cash budget. It is what is presented to the board for approval, and approving it approves everything beneath it.

The components interact, and it is the interaction the syllabus asks about. Three examples:

  • The MATERIALS PURCHASES budget is not the materials usage budget. Purchases = usage − opening inventory + closing inventory, so a decision to build inventory raises purchases and cash outflow without changing production at all.

  • The PRODUCTION budget is not the sales budget, for the same reason: production = sales − opening finished goods + closing finished goods.

  • The CASH budget is driven by the others but is not derived from the profit statement. It reflects the TIMING of receipts and payments and includes items that never touch profit — capital expenditure, loan repayments, tax and dividends — while excluding depreciation, which touches profit but never cash.

A change anywhere propagates. Raise the closing inventory target and the purchases budget rises, the cash budget worsens, and the budgeted statement of financial position shows more inventory and less cash — while the budgeted profit is unchanged. That is what “their interaction with each other” means in practice, and it is why the master budget is prepared as one exercise and not as a pile of separate schedules.

Where do the sales figures at the top of the cascade come from? From forecasting — and forecasting is a different activity from budgeting. A FORECAST is a prediction of what WILL happen; a BUDGET is a plan of what the organisation INTENDS to make happen, and it can be set deliberately above the forecast as a target. Chapter 12 covers the techniques (high-low, regression and time series) and states the relationship in full.

The XYZ company produces three products, X, Y and Z. For the coming accounting period budgets are to be prepared using the following information.

Budgeted sales

Product X

2,000 units at $100 each

Product Y

4,000 units at $130 each

Product Z

3,000 units at $150 each

Standard usage of raw material

Wood (kg per unit)

Varnish (litres per unit)

Product X

5

2

Product Y

3

2

Product Z

2

1

Standard cost of raw material

$8 per kg

$4 per litre

Inventories of finished goods

X

Y

Z

Opening

500 u

800 u

700 u

Closing

600 u

1,000 u

800 u

Inventories of raw materials

Wood (kg)

Varnish (litres)

Opening

21,000

10,000

Closing

18,000

9,000

Labour

X

Y

Z

Standard hours per unit

4

6

8

Labour is paid at $3 per hour

Required

Prepare the following budgets:

  1. the sales budget (quantity and value);

  2. the production budget (units);

  3. the material usage budget (quantities);

  4. the material purchases budget (quantities and value); and

  5. the labour budget (hours and value).

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(a) Sales budget

Units

Price

$

X

2,000

$100

200,000

Y

4,000

$130

520,000

Z

3,000

$150

450,000

Total budgeted revenue

1,170,000

(b) Production budget (units) — production = sales − opening inventory + closing inventory.

X

Y

Z

Sales

2,000

4,000

3,000

Less: opening inventory

(500)

(800)

(700)

Add: closing inventory

600

1,000

800

Production

2,100

4,200

3,100

(c) Material usage budget

Units

Wood (kg)

Varnish (litres)

X

2,100

× 5 = 10,500

× 2 = 4,200

Y

4,200

× 3 = 12,600

× 2 = 8,400

Z

3,100

× 2 = 6,200

× 1 = 3,100

Total usage

29,300 kg

15,700 litres

(d) Material purchases budget — purchases = usage − opening inventory + closing inventory.

Wood

Varnish

Usage

29,300

15,700

Less: opening inventory

(21,000)

(10,000)

Add: closing inventory

18,000

9,000

Purchases

26,300 kg

14,700 litres

At standard cost

× $8

× $4

Budgeted purchase cost

$210,400

$58,800

(e) Labour budget

Units

Hrs per unit

Hours

X

2,100

4

8,400

Y

4,200

6

25,200

Z

3,100

8

24,800

Total hours

58,400

At $3 per hour

$175,200

Two things to notice. First, three of these five budgets are in QUANTITIES and not in money — the production manager needs a schedule of units and the human resources manager needs a number of hours, and neither is helped by a dollar figure. Second, each budget could only be prepared once the one before it was finished: sales, then production, then usage, then purchases. That is the cascade in section 4.1 in action.

5 Budgetary control

Sixteen minutes, and the most useful of this chapter's three recordings: it defines a rolling budget properly and separates it from a budget that is merely revised every few months, gives both of its advantages, and then teaches feedback and feedforward control, ending on the line that ties the two topics together — “one of the best examples of feedback is operational variances… feed forward is planning variances.” Sections 5.3 and 7.4 below are written from it. As with the other two recordings here, the section numbers spoken on tape are those of an earlier edition of these notes; what it calls the key terms section is now split between §5.1, §5.3 and §7.4. Note also that it works only the first three lines of Example 3 and leaves you to finish it — the full answer is below.

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Budgetary control

Budgetary control is the continuous comparison of actual results with the budget, the reporting of the differences to the manager responsible, and the taking of corrective action. It is the reason the planning exercise is worth doing at all.

5.1 Fixed and flexed budgets

Term

Meaning

Used for

Fixed budget

The original budget, prepared for one planned level of activity and not changed when the actual level turns out to be different.

Planning and authorisation. It also remains the profit TARGET: if costs rise, the response is to find savings elsewhere, not to abandon the target.

Flexed budget

The original budget rewritten for the activity level actually achieved, at the original standard prices and usage rates.

Control. It is the only fair comparison with actual results, because it removes the effect of producing or selling more or fewer units than planned.

The difference between the fixed and the flexed budget is the sales volume variance; the difference between the flexed budget and the actual results is every other variance. Chapter 9 analyses those differences in full.

A company has prepared the following fixed budget for the coming year.

Sales

10,000 units

Production

10,000 units

$

Direct materials

50,000

Direct labour

25,000

Variable overheads

12,500

Fixed overheads

10,000

Total budgeted cost

97,500

The budgeted selling price is $10 per unit. At the end of the year the following costs had been incurred, for an actual production of 12,000 units:

$

Direct materials

60,000

Direct labour

28,500

Variable overheads

15,000

Fixed overheads

11,000

Total actual cost

114,500

The actual sales were 12,000 units for $122,000.

Required

  1. Prepare a flexed budget for the actual activity for the year.

  2. Calculate the variances between actual and the flexed budget, and summarise them in a form suitable for management. Use a marginal costing approach.

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(a) and (b) The flexed budget and the variances

Standard costs per unit, from the fixed budget: materials $50,000 ÷ 10,000 = $5.00; labour $2.50; variable overheads $1.25. Standard marginal cost $8.75, so standard contribution = $10.00 − $8.75 = $1.25 per unit.

Flexed budget

Actual

Variance

Sales (units)

12,000

12,000

Production (units)

12,000

12,000

$

$

$

Sales

120,000

122,000

2,000 (F)

Direct materials

60,000

60,000

–

Direct labour

30,000

28,500

1,500 (F)

Variable overheads

15,000

15,000

–

Marginal cost

105,000

103,500

Contribution

15,000

18,500

Fixed overheads

(10,000)

(11,000)

1,000 (A)

Profit

5,000

7,500

2,500 (F)

Summary for management

$

Original budgeted contribution

10,000 units × $1.25

12,500

Sales volume variance

2,000 units × $1.25

2,500 (F)

Contribution flexed to actual sales

15,000

Sales price variance

2,000 (F)

Direct labour variance

1,500 (F)

Actual contribution

18,500

Fixed overhead: budget

10,000

expenditure variance

1,000 (A)

(11,000)

Actual profit

7,500

The point of the exercise. Compared with the ORIGINAL budget the labour cost looks bad — $28,500 spent against $25,000 budgeted. Flexed to the 12,000 units actually made, the standard allowance is $30,000 and the manager has SAVED $1,500. Comparing actual results with an unflexed budget would have penalised a manager who performed well. That is the whole argument for flexing.

5.2 Controllable and uncontrollable outcomes

A manager can only fairly be held responsible for what they can influence. Responsibility accounting is the system that makes this work: revenues and costs are separated into areas of responsibility, each assigned to a named manager, and each manager’s report shows only what that manager controls.

  • CONTROLLABLE costs are those a manager can significantly influence within the period — the usage of materials by a production manager, the price paid by a buyer.

  • UNCONTROLLABLE costs are those they cannot — an apportioned share of head office costs, a rent set years ago, a market price movement. Reporting these against a manager damages the credibility of the whole control system, because the manager knows the numbers are not theirs.

  • The boundary depends on the LEVEL and the TIME HORIZON: a cost uncontrollable by a department manager may be controllable by the director above them, and a cost uncontrollable this month may be controllable over a year.

  • Where a variance turns out to be uncontrollable because the STANDARD was wrong, the formal tool for separating it is the planning and operational variance analysis in CHAPTER 10.

5.3 Feedback and feedforward control

Budgetary control operates in two directions in time, and the syllabus names both.

Feedback control

Feedforward control

Looks

Backwards — at results that have already happened

Forwards — at results that have not happened yet

Trigger

A variance between actual and budget for a period now closed

A prediction that a future outcome will differ from plan

Response

You cannot change the period that has gone; you correct the problem so the NEXT period is better

You change the plan NOW, before the outcome occurs

Example

January’s labour cost was overspent; find out why and fix it for February

You learn that the material price will rise sharply; you look for another supplier, a substitute material, or a design change — before the purchase is made

Variance link

OPERATIONAL variances (chapter 10) — how well the manager did against a fair standard

PLANNING variances (chapter 10) — the world has moved and the plan must move with it

Feedback corrects the FUTURE using information about the PAST. Feedforward corrects the PLAN using information about the FUTURE. A control system that has only feedback is always one period behind.

The cash budget is the clearest everyday example of feedforward control: it is prepared precisely so that a shortage can be seen months before it happens and an overdraft arranged, an outflow deferred or a receipt accelerated. Nothing about it is a comparison with the past.

The following terms should be familiar from your earlier studies:

  • fixed budget

  • flexed budget

  • rolling budget

  • feedforward control

  • feedback control

Required

Explain how each could be used in the planning, control and performance evaluation of an organisation.

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Term

Planning

Control and performance evaluation

Fixed budget

The output of the planning exercise: one set of numbers for one planned level of activity, approved by the board and used to authorise spending and to coordinate the functions.

It remains the PROFIT TARGET for the year, so a manager who meets a rising cost is expected to find the saving elsewhere. It is NOT a fair basis for evaluating a manager whose activity level differed from plan.

Flexed budget

Not a planning tool. It is prepared after the event.

The proper basis for control and evaluation: it restates the plan for the activity actually achieved, so the difference that remains is the manager’s performance and not the effect of volume. It is what chapter 9 analyses into variances.

Rolling budget

Keeps the plan current: a new period is added as each one expires, so management always has a full twelve months of up-to-date plan in front of it rather than a plan that is eleven months stale.

Gives control a realistic yardstick in unstable conditions, so variances measure performance rather than the passage of time. Its cost is that a manager’s target moves during the year, which weakens it as a fixed commitment to be judged against. See section 7.4.

Feedforward control

Central to planning: the cash budget, the what-if analysis in section 8.3 and stress testing are all forecasts of a future outcome used to change the plan before the outcome arrives.

Prevents a problem rather than reporting it. It cannot evaluate performance, because nothing has happened yet — but a manager who consistently fails to act on a feedforward signal can certainly be evaluated on that.

Feedback control

Improves NEXT period’s plan: this period’s variances show where the standards themselves were wrong.

The classic control loop — compare actual with the flexed budget, report the variance to the responsible manager, investigate, act. It is also the basis of performance evaluation, provided only controllable items are reported to the manager (section 5.2).

The two work together. Feedback tells you that something went wrong and is the only tool that can measure performance; feedforward tells you that something is going to go wrong and is the only tool that can prevent it. An organisation that budgets once a year and reviews variances monthly has feedback and almost no feedforward, which is one of the arguments for rolling budgets and for the Beyond Budgeting position in section 7.5.

6 The human dimensions of budgeting

Top-down against bottom-up, then incremental budgeting, zero based budgeting and activity based budgeting, and the teaching is sound throughout — the passage on budget padding and the one on why ZBB is not used everywhere are both worth hearing. Two points. The requirement it answers part-way through, on how managers feel when figures are imposed on them, is Example 5 below, which the recording calls “exercise four”. And activity based costing is chapter 4 of this paper, not the “chapter 2” it refers back to, which is an earlier numbering. As with the other two recordings in this chapter, the section numbers spoken on tape are those of an earlier edition of these notes.

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If the budget process is not handled properly it will produce behaviour that damages the organisation, whatever the numbers say. The behavioural aspects are as examinable as the arithmetic.

6.1 Participation: top-down and bottom-up

Top-down (imposed, non-participatory)

Bottom-up (participatory)

How

Senior management prepares the budgets and gives them to the operational managers.

Budget holders prepare their own budgets; the budget officer tests them and coordinates them.

Advantages

Fast. Cheap. Goal congruent by construction — senior management’s priorities go straight in. Avoids budgetary slack. Useful where managers lack the skill or the information to budget, in a crisis, and in a small organisation.

More motivating — a manager who set the target owns it. Uses the detailed knowledge of the people who do the work, so the numbers are usually more accurate. Improves communication in both directions and develops managers.

Disadvantages

Demotivating: managers are judged against numbers they had no part in. Targets may be unrealistic because the people setting them do not do the work — and a target known to be impossible is ignored altogether.

Slow and expensive. Risk of BUDGETARY SLACK (section 6.3). Managers may pursue their own department at the expense of the whole. Needs managers who can budget.

Bottom-up is regarded as the better approach in most circumstances, and it is much the more common today. It is not universally better: where speed matters, where the necessary expertise sits only at the top, or where a turnaround requires targets that no incumbent manager would volunteer, a top-down budget is the right instrument.

  1. How are departmental managers likely to feel when budget figures are imposed on them?

  2. Can you see any arguments in favour of top-down budgeting, or any problem arising with bottom-up budgeting?

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(a) Less motivated, and in the worst case disengaged altogether. They were not involved, so the targets are not theirs; if a target is one they believe to be impossible they are likely to stop trying to meet it at all, because there is nothing to be gained by the attempt. They may also believe — often rightly — that the people who set the figures do not understand the detail of the work, which undermines the credibility of the whole control system.

(b) The main argument for top-down is SPEED: getting every manager to budget, then testing and coordinating what comes back, takes far longer, and where a budget has to be produced quickly that matters. It is also cheaper, it guarantees goal congruence, and it avoids the padding described below.

The main problem with bottom-up is budgetary slack. A manager who knows the budget will become the target against which they are judged, and possibly paid, has an incentive to build a cushion into it: needing $10,000 and asking for $12,000 makes the target easy to beat. There is no clean solution. The answer is that whoever runs the budget process must be aware of the incentive and must CHALLENGE the submissions — why is this needed, what did it cost last year, what would happen with less?

6.2 Target setting and motivation

Targets assist motivation and performance appraisal only if they are set at the right level:

  • a target that is too difficult demotivates, because the manager gives up;

  • a target that is too easy leaves performance below what was achievable;

  • ideally the target should be slightly above the level of performance anticipated — demanding but attainable.

A good target is: agreed in advance; dependent on factors within the individual’s control; measurable; linked to appropriate rewards and penalties; and chosen so that achieving it is good for the organisation as well as for the individual.

The aspiration-level problem. The budget that best motivates is a demanding one that most managers will slightly miss. The budget that best PLANS is the most likely outcome. The budget used to EVALUATE should be fair. These are three different numbers, and an organisation that uses one budget for all three purposes has to accept a compromise on at least two of them. Saying so is often the mark in a written question.

6.3 Dysfunctional behaviour and budgetary slack

Dysfunctional behaviour is action that helps the manager’s reported performance while harming the organisation. The budget process invites it, and the examinable examples are:

  • BUDGETARY SLACK (budget padding) — deliberately overstating costs or understating revenues so the target is easy to beat.

  • SPENDING TO THE BUDGET — using up a remaining allowance before the year end on things that are not needed, because an underspend will be taken away next year.

  • DEFERRING NECESSARY SPENDING — postponing maintenance, training, advertising or research into the next period to protect this period’s result, at a cost to the organisation later.

  • MANIPULATING THE TIMING of revenues and expenses across the year end, so that results fall in the period that suits the manager.

  • EMPIRE BUILDING and inter-departmental competition — pursuing the department’s reported numbers at the expense of the organisation’s.

  • GAMING THE ALLOCATION — arguing over apportionments and transfer prices rather than over real costs.

The defences are the same in every case: challenge budget submissions rather than accept them; use non-financial performance measures alongside the financial ones so that a manager who has cut maintenance cannot hide it; involve managers in setting targets so that the targets are believed; and evaluate over a longer period than one year, so that deferring spending does not pay.

6.4 Responsibility accounting and management by objectives

Responsibility accounting is a system of accounting that separates revenues and costs into areas of separate responsibility, which can then be assigned to specific managers. It is what makes the controllable / uncontrollable distinction in section 5.2 operational.

Management by objectives (MBO) is a system of management with clearly established objectives at every level of the organisation, each level’s objectives supporting the level above. There is less emphasis on monetary budgets and more on taking the actions that help the business achieve its objectives — so it addresses directly the criticism that a budget measures spending rather than achievement.

6.5 Ethical considerations in budgeting

The syllabus names ethical considerations in budgeting as a topic in its own right. The management accountant preparing or challenging a budget is bound by the CIMA Code of Ethics and its five fundamental principles: integrity, objectivity, professional competence and due care, confidentiality and professional behaviour. Four situations recur.

Situation

The principle at risk

What it requires

You are asked to build slack into a budget, or to inflate a forecast so a target looks achievable, or so that a project is approved.

INTEGRITY and OBJECTIVITY

A budget must be a fair representation of what is intended, not a number engineered to produce an outcome. Declining is not optional because a manager asked.

Your own bonus depends on the budget you are helping to set.

OBJECTIVITY — a self-interest threat

Disclose the interest and make sure someone independent challenges the figures. The threat is not removed by believing yourself to be honest.

You are pressed to omit a cost you know is coming, or to shift spending across the year end so the result falls in a better period.

INTEGRITY; PROFESSIONAL BEHAVIOUR

Deliberate misstatement of a plan is not a presentational choice. Where the pressure persists, escalate within the organisation and, if it is not resolved, take advice — CIMA’s ethics helpline exists for this.

You lack the technical knowledge to build the budget model you have been asked for, or the forecasting method is beyond you.

PROFESSIONAL COMPETENCE AND DUE CARE

Say so, and get help or training. A budget built on a method you do not understand is not a budget you can defend.

The behavioural link. The ethical risk in budgeting is not usually fraud; it is the ordinary, well-intentioned pressure to make the numbers say what somebody wants them to say. That is precisely the dysfunctional behaviour of section 6.3 seen from the accountant’s side, which is why the two topics belong together.

7 Alternative approaches to budgeting

7.1 Incremental budgeting

Incremental budgeting takes the prior period’s figures and adjusts them for inflation and for any other known change — usually the change in the level of activity.

It is by far the most common approach, it is quick, and for a stable business it tends to be reasonably accurate.

The problem is that it never questions anything. Errors and past inefficiencies are carried forward, because wasteful expenditure is not re-examined; it simply appears in next year’s base. Nor does it consider alternatives: ask the wages department for a wages budget and they will assume the work is done the way it has always been done and adjust for the pay rise. Nobody is encouraged to ask whether there is a better way, and budget time is exactly when that question should be asked.

7.2 Zero-based budgeting (ZBB)

Zero-based budgeting does not build on the prior period at all. Each activity is considered on its own merits: what alternative ways are there of achieving it, what does each cost and what does each deliver — and should the activity continue at all? Management then chooses the most effective method, and only then is the budget prepared.

ZBB is bottom-up by nature and it is aimed squarely at wasteful expenditure. In principle it is a much better approach than incremental budgeting, and there are two reasons it is not universal:

  • it is TIME-CONSUMING and therefore expensive; and

  • it requires EXPERTISE that is often split between two people — the operational manager knows how the work is done but cannot cost the alternatives, while the accountant can cost them but does not know the work. It needs a team, or training, or both.

The practical compromise is to apply ZBB to a few activities each year — a different few each year — and to budget everything else incrementally. Over several years every significant activity gets examined properly, and the cost in any one year is bearable.

7.3 Activity based budgeting (ABB)

Activity based budgeting uses the principles and the costing information of an ABC system (chapter 4). Overheads are budgeted using cost drivers — the number of orders, machine set-ups, inspections and so on — rather than as a block adjusted for inflation.

The premise is that certain costs are the result of a demand for activities rather than being output-driven, which is the assumption in the traditional model. The process still begins with the principal budget factor, usually sales, to establish the volume-driven costs and revenues; from there the overhead costs are budgeted according to the expected level of the support activities that drive them.

Its strength is that it makes the overhead controllable: if the number of set-ups is budgeted, the number of set-ups can be managed. The variance analysis that goes with it is in chapter 10 §4.

7.4 Rolling budgets

Rolling budget

A rolling (continuous) budget is one that is kept permanently the same length by adding a new period as each period expires. A twelve-month budget prepared in December runs January to December; at the end of January it is re-prepared to run February to the following January; at the end of February, March to the following February. There is always a full twelve months of budget in front of management.

It is not the same as periodically revising a budget. Many organisations revise the annual budget quarterly because it has gone out of date. A rolling budget always covers the same length of time ahead, which a revised annual budget does not: by November an annual budget looks only one month forward however often it has been revised.

Advantages

Disadvantages

  • The budget is always CURRENT, so it is a realistic basis for control and the variances measure performance rather than the passage of time. Particularly valuable where costs, prices or demand are volatile.

  • It always looks a full period AHEAD, so resource decisions — cash, capacity, recruitment — are taken with a complete horizon in view.

  • Budgeting becomes PART OF THE NORMAL JOB rather than an annual crisis done in a rush against a deadline. People get better at it because they do it every month, and the quality of the work rises.

  • It removes the year-end distortions in section 6.3: there is no “use it or lose it” moment if the budget never ends.

  • MORE COSTLY AND TIME-CONSUMING in total, although much less so than it first appears: each revision starts from eleven months of budget that already exist, so the work is an update plus one new month, not a fresh start.

  • The TARGET MOVES. A manager judged against a budget that is re-set every month has no fixed commitment for the year, which weakens the budget as a motivational and evaluation device — and creates an opportunity to renegotiate a target that is about to be missed.

  • Frequent change can CONFUSE the people working to the budget, and it requires a budgeting system and staff capable of the workload.

Rolling budgets sit between conventional annual budgeting and abandoning the annual budget altogether, which is the argument of the next section. They are also the classic answer to an exam scenario in which an organisation’s budget has been overtaken by events — see also the planning and operational variances in chapter 10, which deal with the same problem after the fact rather than in advance.

7.5 Beyond Budgeting

Beyond Budgeting

Beyond Budgeting is the argument that the traditional annual budget should be abandoned rather than improved, and replaced by devolved decision-making, relative targets and continuous rolling forecasts. It was developed by the Beyond Budgeting Round Table in the late 1990s.

The case against the annual budget. Its critics argue that a fixed annual budget:

  • is out of date almost as soon as it is approved, and takes months and a great deal of senior management time to produce;

  • is a fixed performance contract negotiated once a year, which builds in slack and rewards negotiation rather than performance;

  • encourages the dysfunctional behaviour in section 6.3 — padding, spending to the budget, deferring necessary costs, and manipulating the timing of transactions;

  • sets a target that becomes a CEILING as well as a floor: a manager who could do far better has no reason to;

  • measures performance against a forecast made a year ago rather than against what competitors actually achieved; and

  • centralises decisions in an organisation that needs to respond quickly to customers.

What replaces it. The Beyond Budgeting model has two halves, and both are needed:

Adaptive processes

Devolved responsibility

  • Set RELATIVE targets — against competitors, against the market, against internal benchmarks — rather than a fixed number negotiated in advance.

  • Use CONTINUOUS ROLLING FORECASTS, typically five or six quarters ahead, refreshed every quarter, and kept separate from targets and from rewards.

  • Make resources available ON DEMAND against a business case, rather than allocating them once a year.

  • Reward TEAM performance measured after the event against what was actually achievable, not against a target agreed beforehand.

  • Coordinate through customer demand rather than through an annual plan.

  • Give front-line teams the authority to act, and hold them accountable for results rather than for compliance with a plan.

  • Set clear values and boundaries instead of detailed rules.

  • Make information open and fast, so that teams can be trusted with the decisions.

  • Organise around customers and processes rather than around functional silos.

The criticisms. Beyond Budgeting is not a free lunch. Removing the budget removes the coordination and the authorisation mechanisms as well as the bad incentives, and something has to replace them. It requires a major cultural change and trust that many organisations do not have; it does not remove the need for cash and capital planning; relative and post-hoc targets can feel arbitrary and are harder to explain to the people being judged; and the number of large organisations that have genuinely abandoned budgeting remains small. It is best read as a coherent critique of what annual budgeting does to behaviour, and as the far end of a spectrum that runs from incremental budgeting through rolling budgets to no budget at all.

7.6 Choosing an approach

There is no universally correct method, and an exam scenario will always give you the factors that decide it. Consider:

  • the STABILITY of the environment — incremental budgeting suits a stable business; volatility argues for rolling budgets or Beyond Budgeting;

  • the SIZE of the organisation and the time and money available — ZBB and ABB are expensive;

  • the EXPERTISE, skills and attitudes of the managers, and the culture: participation and devolved authority need managers able to use them;

  • the TYPE of organisation — ZBB is well suited to service departments, to the public sector and to not-for-profit bodies, where the output is discretionary and there is no obvious volume driver; ABB needs an ABC system already in place;

  • the PURPOSE the budget must serve most — planning, motivation, control or authorisation; and

  • the economic climate, and whether the organisation is growing, stable or in trouble.

8 Budgeting in a digital age

8.1 Big data

Big data means extremely large collections of data that can be analysed to reveal patterns and trends, particularly relating to human behaviour.

A large online retailer, for example, collects an enormous amount of information about each customer: not only what was bought, but what was looked at and not bought, how payment was made, where the customer lives, what was returned, what has been ordered more than once, and what ratings and comments have been left. All of it allows the retailer to recommend other items that might appeal.

The four Vs

What it means for a budget

Volume

The quantity of data held is far beyond what a conventional system can store or process, which is why specialised tools are needed.

Velocity

Data must be analysed and turned into information quickly enough to be useful — recommendations have to reach the customer while they are still on the site.

Variety

The data comes from many different sources and in many forms, structured and unstructured, and needs software that can collate the different kinds into useful information.

Veracity

Added later. Users must consider data integrity — whether the data is representative, authentic and capable of being trusted — before relying on it.

8.2 Big data analytics in budgeting and forecasting

Data can be collected — sometimes purchased, sometimes gathered through the organisation’s own processes — then analysed to provide insights that lead to better decisions based on better-informed knowledge.

Sales forecasts are the principal budget factor in most businesses, so this is where the value is greatest. Big data can be used to predict buyer behaviour and product popularity, and to estimate likely sales demand in the form of detailed forecasts. It may show why customers are choosing a competitor’s product, or explain other subtle shifts in behaviour that a sales history alone cannot.

The cautions matter as much as the benefits. The data may be misleading and can be misinterpreted; it can be overwhelming in volume; correlation in a very large data set is not causation, and with enough variables spurious correlations are guaranteed; and there are data protection and consent obligations attached to personal data. Used well, it gives competitive advantage and genuine insight into customer preferences. Used badly, it produces a confident forecast that is wrong.

8.3 What-if analysis in budgeting

What-if analysis

What-if analysis asks how the budgeted outcome changes if one or more of the assumptions behind it changes. It is sensitivity analysis applied to a plan rather than to a decision.

A budget is built on assumptions — a sales volume, a selling price, a material price, a wage rate, an exchange rate — and every one of them is a forecast that may be wrong. A single-point budget hides that. What-if analysis makes it visible by rebuilding the budget with one assumption changed, and it answers two questions:

  1. WHICH assumptions actually matter? Change each in turn by, say, 10% and see what happens to budgeted profit and to budgeted cash. The ones that move the answer are the ones worth spending money to forecast accurately, and worth monitoring during the year.

  2. HOW MUCH ROOM is there? For each critical assumption, by how much can it move before the budgeted profit disappears, or before the cash balance breaches the overdraft limit? That margin is the answer management actually needs.

Why it is easy now and was not before. A budget held in a spreadsheet or a planning system with the assumptions as separate, labelled inputs can be re-run in seconds, which is why what-if analysis is treated as a technology topic as well as a technique. The requirement it imposes on the model is that assumptions must be inputs, not numbers typed into the middle of formulae.

Scenario analysis is the natural extension: instead of flexing one assumption at a time, build two or three complete, internally consistent pictures — a downside in which volume falls and prices are cut together, a base case, an upside — and budget the cash requirement of the worst of them. Changing assumptions one at a time understates risk, because in a downturn they tend to move together.

The same arithmetic applied to a DECISION rather than to a budget is sensitivity analysis, and it is covered in chapter 13.

8.4 Stress testing budgets

Stress testing is a form of analysis that identifies which factors are critical to a budget’s success, how far they could move, and what the effect on the final outcome would be. Where what-if analysis asks what happens if an assumption changes a little, stress testing asks what happens under a severe but plausible shock.

Big data analytics has a direct role in it. It can help to:

  • identify stress events;

  • quantify the effect of those events;

  • test the validity of the assumptions in the measures designed to deal with them;

  • identify correlations between stress events — which is the point most often missed, because stresses arrive together; and

  • create and identify warning signs and triggers for stress events.

Financial institutions, for example, use big data analytics routinely to test the adequacy of the assets backing retirement and insurance funds. Through modelling and simulation they establish whether they could withstand an economic shock, using data on employment shifts, credit conditions and recession indicators to inform the models and so make their decisions more resilient.

Stress testing is also a named topic of syllabus section D, risk and uncertainty in the short term. It is taught here, in its budgeting context; chapter 13 covers the risk framework it belongs to — expected values, probability distributions and sensitivity analysis — and does not repeat it.

9 Test your knowledge

Two quick checks before you move on: work through the flashcards to fix this chapter’s key terms and definitions, then sit the objective questions for exam-style practice. Both mark themselves and explain the answers as you go.

Practice questions

Budgeting

12 questions

Answer the questions one at a time. Your progress is saved so you can leave and come back.

Open chapter practice